Henry Moore’s Sheep and Other Poems
“Occasion for celebration – and for some serious thought … Glickman performs the art of ‘making it strange’ with grace and humour.”
—Catharine Hunter, Professor of English and McNally Robinson Manitoba Book of the Year Award winner, in Prairie Fire
Susan Glickman’s third book extends and deepens the vision developed in her highly-successful Complicity [1983] and The Power to Move [1986]. A prolific critic as well as reviewer, Glickman continues to garner excellent press from many quarters – and yet it is as a poet that her reputation as one of Canada’s bright literary lights has become firmly established.
Reviews
Stephen Henighan, “Small Presses,” The Gazette (Montreal), Saturday, Nov.17, 1990.
Allan Brown, “The Bookstand,” The Kingston Whig-Standard Magazine, Nov. 4, 1990, 20.
Stephen Evans, “Sheep, Women, and Science: A Poetic Combination,” The Link (Concordia University), Tuesday, Dec. 4, 1990.
Ian Dempsey, “Henry Moore’s Sheep,” Canadian Materials (Jan. 1991), 47-8.
Charlene Diehl-Jones, “Poets’ Corner,” Books in Canada (Feb. 1991), 54.
Norm Sacuta, “Poet Dares Have an Opinion,” The Journal (Edmonton), Sunday March 3, 1991.
Catherine Hunter; joint review with Erin Mouré’s WSW in Prarie Fire 12#13, 88-92.
John Moore. “Monumental Sculptor Inspires Lyrical Revelations,” in The Vancouver Sun, Saturday June 8, 1991, D1.
Winters. Choice (American Library Association), July/August 1991, 170.
Ronald Hatch, “Letters in Canada,” The University of Toronto Quarterly, 61#1 (Fall 1991), 56.
Neil Besner, “Henry Moore’s Sheep,” in The Journal of Canadian Poetry 7 (1992), 80-5.
Laurence Steven and Christine Prieur, Canadian Book Review Annual (1992), 201-2.
